View Larger Robert Rauschenberg’s handwritten draft of a statement on photography first published in Rauschenberg Photographs, Pantheon Books, New York, 1981.
From the Robert Rauschenberg Foundation Archives
via: robertrauschenberg
View Larger Robert Rauschenberg’s handwritten draft of a statement on photography first published in Rauschenberg Photographs, Pantheon Books, New York, 1981.
From the Robert Rauschenberg Foundation Archives
via: robertrauschenberg
The launch will showcase some transformative uses [of the archive] that show what you can do with a massive digital library that’s been operationalized.
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Dan Cohen, Executive Director of the Digital Public Library of America, using our favorite t-word to describe what’s possible with a totally digital library.
From How the Digital Public Library of America hopes to build a real public commons | The Verge
via: arlpolicynotes
From the project’s welcome page:
The Blue Mountain Project is the common work of scholars, librarians, curators, and digital humanities researchers whose mission is to create a freely available digital repository of important, rare, and fragile texts that both chronicle and embody the emergence of cultural modernity in the West.
via: editorsandarchives
Marcella Brenner and Morris Louis seated in an armchair, ca. 1950 / unidentified photographer. Morris Louis and Morris Louis Estate papers, Archives of American Art, Smithsonian Institution.
[make sure to check out this blog post from the Archives of American Art to read more about the very private painter and his relationship with Marcella.]
I’m not interested in some kind of David Foster Wallace myth-creation, some kind of canonization. We’ve arrived at that moment where now everyone has to weigh in and have their say over what type of person this writer was, how he treated others, what we can deduce about his psychology and how that can unlock his writing. Everyone’s running around with a new revealing fact. The way the cult of personality has taken over much of the discussion of Wallace’s work is something I find deeply aggravating. So if you’re waiting for me to construct a narrative for the ten years in which this archive was compiled or to explain something new about this person I never met based on the things he wrote down, well, I’m not going to. I don’t want to tell you any story about any person I never knew. I want to tell you the story of how I got to dive down deep into a mess of papers and how I came up laughing or crying or unable to speak. I want to tell you about connectivity.
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Jenn Shapland, “‘The Human Heart Is A Chump’: Cataloging The Pale King.”
via: millionsmillions
View Larger 17 years after the archive opened, it has been closed for “rehousing and reorganization,” many of the objects are still not cataloged. It is hoped that the work will be finished by early in the new year and the archive will reopen. But while the reorganization has affected direct access, “it hasn’t stopped us from lending objects to exhibitions, preparing our own shows, or cataloging Warhol’s Time Capsules, all of which are moving along,” says Matt Wrbican, the museum’s chief archivist.